Showing posts with label New York theatre. Show all posts
Showing posts with label New York theatre. Show all posts

Sunday, September 11, 2011

We All Fall Down


The first time I lived in New York City,  I arrived on a sweltering summer afternoon. Through the windows of the taxi I saw a rainbow stretching across the skyline while children shouted and splashed in the spray of open fire hydrants. My friends took me to a concert in Central Park that night, and as we walked home I was giddy with fact that New York would be my city for the next six weeks while I rehearsed a show that would tour middle schools in Wisconsin and Indiana. I lived in New York for another rehearsal period the next year, and then again for the summer of 1984 while I studied at HB Studios.

Counter to prevailing opinion, New Yorkers seemed to me to be friendly and talkative. I loved brushing shoulders with other people on my morning commute to rehearsal. The "bar car" on the Friday afternoon return to Grand Central was certainly far more congenial than being sealed in one's lonely automobile in L. A. I stumbled getting off a bus once in mid-town and and was scooped up and set on my feet by a man who was about to get on. He insisted on waiting for the next bus to be sure I was okay and to give me the name of a good shoe repair because the heel of my shoe had cracked in the mishap. Bus drivers gave me advice on how to get from here to there and how to vary that route if I was going to be coming home late at night by myself.

By February of 1986, I had a new baby. The acting career was finished, and I spent my days in a 450-square-foot apartment in the middle of Los Angeles. New York might have been a better environment  for my daughter and me back then. It would have easier to mix with other mothers and babies, to feel the hum of humans going about their days. Yes, there would have icy sidewalks and snow. But isolation is cold, too.

Five years after the birth of my first daughter, I considered that I might be suffering from some kind of late-onset postpartum insanity when I planned our first big family vacation that didn't revolve around a visit to see family in the Midwest. New York seemed like an off-kilter place to take a two-year-old, a five-year-old, and my mom and her twin sister who were then in their mid-sixties. If it turned to chaos, I'd be the one to blame. I bought theater tickets, made dinner reservations, planned which attractions we'd visit, and in a stroke of mothering genius, made our first stop FAO SWARZ where my daughters were each allowed to choose a new toy. Despite an emergency trip to Woolworth's on our second morning to buy a stroller (a two-year old in L.A. is quite capable of walking to the car), the vacation was a show-stopping hit. We returned nearly every spring for the next sixteen years.

The towers and the Pentagon had already been hit when my cell phone rang the morning of September 11th, 2001. My mother, who was living outside of Washington D.C., called to tell me the news. Instead of driving to the Burbank airport to board a plane to Arizona to see my son's new baby, I sat on my bed, alone, and watched on TV as the towers fell. My younger daughter and my husband were on a school camping trip and unreachable. My older daughter was in boarding school an hour away, and when I called the school office to see if I could speak to her, I was told that the administration was handling all communications to the student body.

I drove to a coffee shop not far from the school and watched another hour or so of coverage on their TV. Then I sat in my car in the coffee shop parking lot, checking the news on the radio every so often to see if L.A. had been hit. If the world was going to end, at least there was a chance of  getting to one of the people I loved.

Thursday, July 14, 2011

With Apologies to My Friend Carol





"Would you remind me to read your blog?" she asked when we talked a couple of weeks ago.
"You should subscribe," I said.  "I don't post every day, and my posts are usually quite short."
Ha.
I didn't know then I'd be marooned in the suburbs of Baltimore  for such a stretch.  But I'm needed here for longer than I'd planned, and I am going to be blogging like a maniac unless someone builds a sidewalk from this mobile home park to the nearest Starbucks. Walking on the road with traffic whizzing by, up to my ankles in weeds and a stand of timber edging the road, I could be hit by a deer or a Chevy Suburban. My evening inventory of lawn ornaments and figuring out which trailer I would choose as my Maryland fantasy home keeps me entertained for an hour or so after dinner, but I need conversation about books and the theatre, too. And it just so happens that I brought a stack of New Yorkers. I'm pretty certain I would bore my family silly with talk about either one.
Here's what captured me today: (sorry, it seems I can't post links from my iPad) "Mouth to Mouth --Sarah Ruhl on attraction and artifice" by John Lahr from the week of May 30th. Lahr reports this from a conversation with  Ruhl: "Lightness isn't stupidity. It's actually a philosophical and aesthetic viewpoint, deeply serious, and has a kind of wisdom--stepping back to be able to laugh at the horrible things even as you're experiencing them." 
And here's this bit Lahr quotes from her new  play, which is called  "Stage Kiss,":
"Marriage is about repetition," Harry says to his wife in the finale. "Every night the sun goes down and the moon comes up and you have another chance to be good. Romance is not about repetition."
He also says, "Once a week I can be whoever you want me to be, and you can be whoever I want you to be. Kiss me in a place with no history and no furniture."
Of course because I haven't seen the play, this could be horribly out of context. I just know that Sarah Ruhl's "Euridicye" was, for me, one of the high points of a dozen years of New York theater going. 
And I know that I seem to have found some amazing convergence of romance and repetition--though I am intrigued about this business of kissing in a place with no history and no furniture.