Plants, pajamas, pandemic

I was supposed to go to Oaxaca for a painting workshop this month. That didn't happen. But I kinda brought Oaxaca to me by re-inventing my balcony. Plant stand, rug, plants--check. Soon there will be a bench and an umbrella. This quarantine would be so much worse without ordering stuff on the internet.

 

This giant mess happened first though. Right in the middle of my kitchen. Yes, hi, it's me. I have not been kidnapped and replaced by an impostor. This is the first time I've attempted a gardening project without a proper outdoor space to work in. Even in my 400 sq. foot apartment in L.A. I had access to a hose because I was on the first floor. Here, I potted everything on the kitchen island, feeling like there would be a stern knock at the door and I would be arrested.  

So that mess got cleaned up and everything was wiped down and sanitized. Today I decided I would make a new mess...collage because I took a very brief online class last week about inspiration for collage and photomontage, and we are checking back in with our work tomorrow. I made the paper below that I collaged on a few months ago, and also did the letter press on it in the same workshop. Now it's a collage. I was able to use some of my marbled paper as well.

I'm working on a second collage too. It's inspired by a line I read, "You break the secret or the secret breaks you." I was really happy about having the blue door in my collage pile, but now I'm thinking it doesn't belong. Maybe it's all about the tree.
The trees are leafing out here. I've been trying to force myself outside since Sunday, and I haven't made it yet. In fact, it's almost 5 pm, and I'm still in my pajamas. This is a new thing. I've been showering and dressing everyday--wearing favorite earrings and a necklaces like life is normal. But maybe not getting dressed is normal now. How about you? Do you wear your pajamas all day? What are you doing to keep from weeping? Are you making things? Writing?  Baking? Are you feeling healthy?

Inside and Out

Last night's sunset looked like a scene from a disaster movie. Empty streets. Blood red sky.

But inside on the kitchen island there are tulips because I pre-ordered and pre-paid for them at the neighborhood farmers' market and simply had to sweep by and scoop up the wrapper with my name on it.

This is the not close-up version with the kitchen island devoted to making hand-marbled paper book covers. I think I will post a picture soon of all the journals I've made. I think of them as Corona diaries. If you want one, you can private message me, saying which one. Some are very tiny, and I imagine them as "It's the little things" records of what has gotten you through this so far....or what is destroying you. Of course as much as I would like to send these things I've made to you, it means I have to go to the post office. Sigh. (see previous post) I hope to have the full array displayed in the next blog post.

My anxiety is better today. (How's yours?) Probably because I have not put on a mask in an attempt to go out. I had a lovely chat with a friend today wherein I explained that having been nearly strangled to death by an acquaintance decades ago, I don't do well with my mouth and nose covered, or the feeling that my air supply is restricted.

A couple of days ago as I was talking on the phone with my younger daughter M., I was describing to her the shape of the plant stand I wanted for my balcony (plants are super important to me right now) and she emailed me a photo of one from Target which turned out to be perfect. I ordered it online and it arrived in our building's package room a day later. I was going to live the big city life--one token plant on the balcony. Now I want more, more, more.

There's so much to do in any given day. How was your day? xo

How are you? Tell me, I want to know.

The ghost of my walking self

Every day I say I'm going to go outside and go for a walk. But I don't. I have a package I want to take to the post office. It's a handmade journal I made for an artist's residency friend who sent me a handwoven cashmere scarf.

Me not going out, but wearing the beautiful scarf. I haven't worn shoes in forever.

A few weeks ago I was walking over three miles (unless the windchill was below 10 degrees) to my papermaking internship. When I was taking care of my mom a few years ago I walked on the beach every morning for at least 90 minutes. In my college years I walked in the woods almost every day. When I lived in New York, I thought nothing of walking 50 or 60 blocks. In my married years I walked the street to street staircases all over the hillsides of Silver Lake. I walked almost every street of Sierra Madre and South Pasadena. Walking is thinking. Walking is figuring things out. Walking is thanking the birds and the trees.

Maybe I'm someone else now. Someone who doesn't like to walk.

When I was 19, I had a very serious back surgery to correct a curvature in my spine. I spent a month in the hospital, 300 miles from home. My mother was with me, but I couldn't see my dad or my siblings or my friends. I couldn't walk the halls of the hospital. I couldn't even lift my head to look out the window. When I got out, I was encased in a plaster cast from my chin to my hips for ten months--its own form of social distancing. That was hard at the time. It was so long ago I don't know how to compare it to now. But there's a connection. I'm not in a body cast. I'm encased in a condo.

I complained a lot to my daughter M while talking on the phone today. What a terrible time to move to a condo in the city, my investments oh dear oh dear, traveling damn it--when can I travel?/can I afford to travel? Blah, blah, blah. Meanwhile there are so many people with much bigger problems. 

So here I am inside, dreaming of flowers that I will plant on my balcony when my new plant stand comes. I'm listening to every song John Prine ever recorded--a few each morning. I'm making hand bound journals with my handmade and hand marbled paper--some tiny and some large.

I bought a paper guillotine. It doesn't fit in any cabinet or drawer, so it lives under the armoire in my bedroom. Today I ordered a screw punch. No, that's not a cocktail.

 I think I'll survive. But today I thought I might be getting sick. I was terrified. How are you? Tell me, please. I want to know. 

This world

The moon still rises and sets in this topsy turvy tragic world.

The city still takes my breath away though there's absolutely nothing to do besides walk and dodge other humans.

The abandoned flour mill just down the block seems like a metaphor for everything now.

The Guthrie Theater has cancelled the rest of its season. For a week or so the sign in the lobby read, "This building is closed today." Now that sign is gone, and the doors are plastered with dire notices.

The city is all lit up. The marquee above the Guthrie says "Promise this world your love." Is that a line from a play? I don't remember.

R.I.P., John Prine

John Prine's songs told the story of my life (really all of our lives, I bet) armed with a crystal ball and a magical rearview mirror with perfect vision. He was the troubadour through every romance I've had--the soundtrack to so many moments-- the sad and the jubilant, the sorry and the unforgiven, the transcendent and the earthly.

"How the hell can a person go to work in the morning, and come home in the evening and have nothing to say?" The Someone and I shook our heads over that line a million times, stunned by it, thanking our lucky stars we weren't like that. Until we were. The last few years of the marriage there could not have been a more perfect  description of our lives.

I saw John Prine for the first time in Knoxville in 1974. Life was messy that year. Back from a year backpacking through Europe, too broke to go back to college, feeling unwelcome in my mom's house since she'd remarried, I went down to Knoxville to stay with a friend and got a job as an art model at the university there. For the Freshman drawing classes, it was required that I wear a leotard and chalk a mark to show where my navel was. For the older students, I modeled nude, as is the normal procedure for figure drawing classes. I sold my blood plasma for extra cash in Knoxville. It was a great scheme. Until it wasn't. With two sources of income, I could afford to buy a ticket to John Prine. I didn't even know who he was. My friend said he was good. He sat alone on stage on a wooden stool with a six pack of beer at his feet, every now and then prying the top off a fresh one. As I recall it in my mind's eye, he was in the center of a pool of light. The theater was silent, transfixed, that golden light spreading, enveloping every heart in the room.

I last saw John Prine in June of 2011 at the Orpheum Theater in downtown L.A. for Dan's birthday. The night was a marvel. How the hell could a person write so damn many great songs? Two days later I got on a plane to Minneapolis to do stuff at my condo in St. Paul. Closets, shelves for the pantry. I imagined living in Minnesota someday. The next week I went out to Baltimore to see my mom who was living with my brother and his girlfriend. My mother was still recovering after almost dying after her lung cancer surgery. My brother was having a hip replacement. Every night I listened to music before I went to sleep. I know Prine was on that soundtrack.

For the past few years a friend and I have regularly checked John Prine's schedule, hoping to catch him somewhere. It never worked out. Somehow he released an album in 2018 that I missed. I bought it today. I'm gonna take it one song at a time. I've started with the last song. It's called "When I Get to Heaven."

Who's Zoomin' Who?

Visiting Dan in 2014

I feel stunned most of the time. Loved ones on the front lines. Me here, sometimes feeling I'm barely earning my right to breathe our virus tinged air.

I am, without a doubt, an introvert. I was never so exhausted as when I was teaching English. I was in my 30s then, and the constant talking, explaining, teaching destroyed every ounce of energy every single day. This is my way of saying that, in some ways, my life is unchanged, that I'm fine with lock-down. I could tell you too, that my life has been turned upside down. Both are true.

I have made a schedule for my self, a routine, a checklist. It's a lifeboat. An anchor.

Here's a photo of my old neighborhood in California with a cloud shaped like an exclamation point

I read the news, do a t'ai chi chih practice, yoga (unless it's a day off to rest my wrists.) I write, read, practice drawing with the lessons in "Drawing on the Right Side of Your Brain." There are bookbinding projects. I do Duolingo French lessons. Yesterday I found the juggling balls and added juggling. I could juggle well enough in the summer of 1975 that I did it day after day in a commedia dell'arte. 

I sit in my big chair by the window in my bedroom and let memories roll by like clouds.
Memories of hospital rooms, being masked and gowned, visiting Dan whose white count and platelet numbers were all wrong time after time in the months before he died.
Visiting my mother from the hallway when I was 18, and she was in the hospital recovering/not recovering from surgery with pneumonia and a staph infection.
I remember my own bleary hospital time, her at my bedside every day during a long Minnesota January. I remember the sirens the day the poet John Berryman jumped off the Washington Avenue Bridge. Something's going on out there she said, standing by the window in her high heels, me flat on my back. lashed to the bed, in traction.
The thing is, everything is worse than all that now.

But my god, there are ridiculously funny things on the internet. I was laughing almost unable to stop at midnight last night. There's amazing writing and art. I'm talking to friends almost every day. Zooming them. Remember that Aretha Franklin song from the 80's? Who's Zoomin' Who? I just might zoom everyone I know.